Opinion Piece: The AFL’s Musical Misfire
As a Baby Boomer with a decidedly unenthusiastic outlook on Snoop Dogg—right, it’s "Dogg" with a double G—I reflect on the AFL’s history of pre-match entertainment. The bar was set quite high during the 1977 grand final when crooner Barry Crocker sang "The Impossible Dream," which captures the ongoing challenge for football leaders to find the perfect musical act since.
While the AFL has succeeded with performances from stars like Ed Sheeran, Katy Perry, and even a memorable yet disastrous turn by Meatloaf, recent choices have stirred mixed feelings. For instance, Snoop Dogg’s inclusion in this celebration raises questions about relevance. His hit "Drop It Like It’s Hot" is undeniably famous, yet it’s debatable whether the large crowd at the MCG will connect with it.
Most artists appearing at the grand final have had at least one song that resonates with common fans. Even Barry Crocker’s song, while dated, was reintroduced the year after, emphasising the significance of connecting with the audience. Over the years, tracks like "Waltzing Matilda" and Mike Brady’s "Up There Cazaly" have become staples because they invoke national pride and enthusiasm that the AFL should strive for.
The reality is there’s a wealth of Australian talent available who could energise the crowd, igniting a deeper sense of connection and patriotism. Opting for international artists poses a risk, especially when they appeal to only a fraction of the audience. If the AFL invests heavily in acts like Snoop Dogg, one has to question whether that money could be better spent on a performer who represents a broader demographic and embodies the spirit of Australian sport.
Bottom line: for the sake of the AFL and its fans, the focus should be on selecting artists who resonate with everyone in attendance, ensuring a grand final experience that fosters unity and celebration.