The Cannes Film Festival has made a notable decision by preventing French actor Théo Navarro-Mussy from attending the premiere of the competition film Case 137. This action is significant as it marks a potential first within the #MeToo context of the festival. Festival director Thierry Fremaux confirmed to Télérama that Navarro-Mussy, who plays a supporting role in the film, was barred from the red carpet event taking place on Thursday night.
In past allegations, Navarro-Mussy faced accusations of rape from three former partners in 2018, 2019, and 2020. Although the case was dropped last month due to insufficient evidence, the three women have expressed intentions to appeal. Fremaux stated that the case remains active because of the ongoing appeal, which influenced the festival’s decision to prohibit Navarro-Mussy’s attendance.
He noted, “When a legal decision becomes final, the situation changes.” This approach underscores a shift in the festival’s attitude towards those accused of sexual misconduct, particularly as the #MeToo movement continues to influence the film industry in France. Navarro-Mussy’s representatives have not commented extensively, while his attorney indicated that no current legal proceedings are in place regarding the allegations.
This decision reflects a broader evolution at the Cannes Film Festival, as its reputation has been scrutinised for previously accommodating individuals accused of similar misconduct. The festival appears to be aligning itself with contemporary societal trends regarding accountability and respect for victims. Juliette Binoche, president of the Cannes jury, echoed this sentiment, highlighting that the festival is responding to societal changes and acknowledging the importance of these issues.
The production company behind Case 137, Haut et Court, also acknowledged the situation, stating that they received a warning regarding Navarro-Mussy’s involvement. They agreed with the festival management to not have him accompany the film in Cannes, balancing respect for the plaintiffs with the principle of presumption of innocence for the accused. This stance indicates a progressive shift as the festival navigates complex dynamics surrounding allegations of misconduct.
The overall response from Cannes demonstrates a commitment to evolving in line with the ongoing discussions around sexual harassment and justice within the film industry, showcasing a sensitivity to the allegations while fostering a climate of accountability.